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Video still from “The Swimmer“ © Sascha Pohle
Excerpt from the video “The Swimmer“, digital video © Sascha Pohle

Taking the Plunge: Sascha Pohle’s Brand of Vacation Marathon

When work is piling up and the city seems crowded and hectic, then the sun-drenched photos on the glossy pages of travel catalogues seem to offer a tempting promise of release. For the multi-tasker who spends most of the day in front of a computer, a package tour to any sandy, waterside tourist destination beckons like the beacon of a tropical oasis. While most people can only get away to the hotel of their choice for a week or extended weekend, German artist Sascha Pohle took a month to test the waters not of one hotel vacation paradise, but over fifty, and he documented this process in an inspired video work that will be shown in Berlin at the Sparwasser exhibition space this fall. Based on the 1968 film classic The Swimmer  starring Burt Lancaster, in which a man attempts to swim home across a veritable waterway of neighboring suburban swimming pools, Pohle’s video documents his series of brief, bee-line swims across fifty-two hotel pools on the Spanish vacation island of Tenerife. The artist’s route was not determined by a homeward-bound itinerary, but by the sequential listing of hotels (and the obligatory photo of their pool) in a Thomas Cook travel catalogue. Sponsored by the travel company, the action took an entire month during the vacation pre-season - and long hours of filming and nonchalant plunging.

In the travel brochure the unusual shapes of the pools, ranging from kidney forms to naturalistic ponds punctuated by islands and fountain-like plunge baths, glimmer in an intense, unfathomable blue. In Pohle’s version of The Swimmer, this exotic allure does not quite play out. One pool has not yet been filled with water, others are completely unpopulated, and on some days the sky is a blanket of grey. But in every scene, the undeterred swimmer clad in plain black trunks completes his single lap. Although a marvellous typology of the island’s most extravagant and more humble pool architecture, the solitary, minute-long sequences of the artist as swimmer impose a melancholy narrative over the documentary footage of a vacation getaway. Like in his other work dealing with tourism, travel and, most recently, the phenomenon of celebrity look-alike conferences, Pohle investigates the plight of the individual, somewhat adrift in the flood of images and rituals of mainstream popular culture. While dipping into all the delights a sunny locale can offer, Pohle’s rapid “consumption” of pools suggests a general cultural malaise. Nevertheless, the tongue-and-cheek perseverance in the artist’s video helps us poke fun at the more extreme manifestations of our pleasure-seeking follies.

Although Sascha Pohle does not have a website, he can be found in Amsterdam, where he is a resident at the prestigious Rijksakademie.

Links:
www.sparwasserhq.de/Index/HTMLaug7/know1E.htm
www.rijksakademie.nl/uk_kn_resident_artists.htm
 
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