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Gary Baseman: Pilgrimage to the one they call Toby, 2005
Pilgrimage to the one they call Toby, 2005 © Gary Baseman
Gary Baseman: 200 Tobys, 2005
200 Tobys, 2005 © Gary Baseman
Gary Baseman: Ceci n‘est pas une Toby, 2005
Ceci n'est pas une Toby, 2005 © Gary Baseman

Art That Does Not Talk Down to People

“It cuts through the human condition to the soul, it works on many levels, it does not talk down to people.”
Gary Baseman on his art style.

“Lust and Desire – everything comes from that,” says artist Gary Baseman about the underlying themes in his work. Staying consistent with those subjects, he yet manages to manifest them in so many different ways.

Baseman’s art has been described as many things, but certainly not boring. In our time of constant exposure to so many other media, “… art needs to be iconic and quick to stay competitive and engage you,” says Baseman. It needs to be perceived everywhere, in keeping with the concept of Pervasive Art. Baseman calls this the appropriate art for these times.

No matter what medium is used as blank canvas for creative expression, the message and quality of the art becomes more important than where it is actually seen, making the boundaries between high and low art not as clear-cut as before. And he has used many different media - most notably his Dunny vinyl figures, produced by American company Kid Robot; the art for the board game, Cranium; and the cartoon, Teacher’s Pet.

Before Baseman started his prolific artistic career, he was a Communication Science major, studying the First Amendment. To this day the conviction that he should be able “to tell any kind of story or allegory not censoring myself,” still runs deep. With a background in illustration design, he certainly knows how to tell a compelling story via a strong visual image.

Influenced by the imagery of cartoons of the 30s and 40s, his paintings and illustrations at first appear naïve, cute and utterly disarming. The Happy Idiot snowman is all smiles and sweet, little Chou Chou runs merrily about the forest. Only at a second glance does one fully comprehend the “bittersweetness that is life” that Baseman has captured in surreal and often perverse settings.

Always on the go, and just back from Art Basel Miami Beach where he checked out his friend Mark Ryden’s latest work, he has still managed to launch his latest vinyl toy, the White HotChaCha and participate in the antiwar art show “? the War” at the Corey Helford Gallery, L.A. With all these balls in the air, he has, however, still not quite reached his ultimate goal yet - to launch a creative art company.

Link:
www.garybaseman.com

 
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