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Antarctic Village - No Borders, installation in Antarctica, Lucy and Jorge Orta
Antarctic Village – No Borders, ephemeral installation in Antarctica © Lucy & Jorge Orta © Photo Thierry Bal
Soccer Match with Orta team at Marambio Antarctic Base, Lucy and Jorge Orta
Soccer Match with Orta team and scientists from Marambio Antarctic Base © Lucy & Jorge Orta
Picture of artist couple Lucy and Jorge Orta at Hangar Bicocca, Milan 2008
Lucy & Jorge Orta at the Hangar Bicocca, Milan 2008 © Courtesy of Lucy & Jorge Orta, Hangar Bicocca © Photo Thierry Bal
Antarctica: Installation at Hangar Bicocca, Lucy and Jorge Orta, Milan 2008
Installation at the Hangar Bicocca, Milan 2008 © Courtesy of Lucy & Jorge Orta, Hangar Bicocca © Photo Thierry Bal

Harsh Climate for Human Rights, Studio Orta – Antarctic Village



Water shortage, migration, war and mobility are just some of the themes that the artist couple Lucy and Jorge Orta have addressed in their extensive body of work dedicated to the human condition in an era of global crisis. From the bright-colored designs for Refugee Wear to the gurneys stacked up on a truck in the M.U.I. VII – Nomadic Hotel and the rack of water containers in Orta Water – Vitrine Argentina, the artists merge their respective backgrounds in fashion and architecture to create striking large-scale installations which use a clarity of design and an apparent functionality of objects to dramatize the plight of the refugee and the non-combatant.

With the question of human survival at the core of their works, it is somehow fitting that they took their most recent major project to the extreme environment of the Antarctic. Installed near the Marambio Antarctic Base in March 2007, Antarctic Village - No Borders consisted of fifty igloo-like tents made from traditional tent cloth, flags from countries around the world and items of clothing. Evoking images of both a campsite and a refugee camp, the installation was an outgrowth of the Ortas’ ongoing interest in the region as a symbolic territory of hope – politically neutral ground containing 90% of the world’s ice and approximately 70% of its fresh water.

In parallel to the Antarctic Village, the real inhabitants of the research station, an international team of scientists, were invited to join the Ortas’ crew in a symbolic soccer game staged like an important international match. However, each team carried a “multi-international” flag designed by the Ortas and were dressed in uniforms that did not differentiate countries, or even teams. For the Ortas, the Antarctic thus serves as a utopian site representing the notion of global statehood and they are currently even developing a project for an “Antarctic passport.” As the Summer Olympic games draw near, the Orta project is an evocative metaphor which encourages us to think in categories different from “country” or “victory.” Human rights are the name of the game played out on the ice.

The exhibition Antarctica is currently on view at the Hangar Bicocca, Milan.

All images © Lucy Orta, Professor Art, Fashion and the Environment, University of the Arts London

Link:
www.studio-orta.com

 
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